L'exposition, ouverte depuis le 15 mars 2024, est gratuitement accessible.
Adresse:
Nationalmusée um Fëschmaart
Marché-aux-Poissons
L-2345 Luxembourg
Horaires:
Lundi: fermé
Mardi-mercredi: 10h - 18h
Jeudi: 10h - 20h
Vendredi-dimanche: 10h - 18h
Extrême Collection
D'Allemagne
Curated by Keren Detton, Director of Frac Grand Large
With the following artists of the Frac collection: Georg BASELITZ, Joseph BEUYS, Christiane BLATTMANN, Cosima von BONIN, Helmut DORNER, Haris EPAMINONDA, Hans-Peter FELDMANN, Günther FÖRG, Gloria FRIEDMANN, Wolfgang GÄFGEN, Jochen GERZ, Konstantin GRCIC, Jitka HANZLOVÁ, Isabell HEIMERDINGER, Jörg IMMENDORFF, Martijn IN'T VELD, Annette KELM, Anna KLAMROTH, Peter KLASEN, Imi KNOEBEL, Antonia LOW, Markus LÜPERTZ, Helmut MIDDENDORF, Boris MIKHAILOV, Blinky PALERMO, Sigmar POLKE, Gerhard RICHTER, Klaus RINKE, Ulrich RÜCKRIEM, Reiner RUTHENBECK, Andreas SLOMINSKI, Eva TORNOW, Rosemarie TROCKEL, Peter WÄCHTLER, Jens WOLF.
Photo: © Jens Wolf. Courtesy of the artist
Les artistes : Carla Adra, Mathilde Albouy, Estèla Alliaud, Hugo Avigo, Marlon de Azambuja, Abdelhak Benallou, Djabril Boukhenaissi, Apollinaria Broche, Grégory Chatonsky, Salomé Chatriot, Gaëlle Choisne, Max Coulon, Morgan Courtois, Cyril Debon, Julian Farade, Clédia Fourniau, Laura Garcia Karras, Gerard & Kelly, Célia Gondol, Pascal Hachem, Arash Hanaei, Ittah Yoda, Michel Jocaille, Nika Kutateladze, Anne Le Troter, Matisse Mesnil, Daniel Otero Torres, Margot Pietri, Luca Resta, Edgar Sarin, Ugo Schildge, Laura Sellies, Erwan Sene, Pol Taburet, Félix Touzalin, Dune Varela, Marie de Villepin, Xolo Cuintle.
Commissaires de l'exposition : Stéphane Ibars et Yvannoé Kruger
Aline Bouvy
Exposition personnelle Le Prix du Ticket
@ Triangle - Astérides, Friche la Belle de Mai, Marseille
Exposition curatée par Marie de Gaulejac, Victorine Grataloup et Thomas Conchou.
Une exposition co-conçue et co-produite par Triangle-Astérides et La Ferme du Buisson, centres d'art contemporain d'intérêt national.
En co-production avec la SCIC Friche Belle de Mai et en partenariat avec Kultur | Lx, le Ministère de la Culture du Grand-Duché de Luxembourg, le GMEM - centre national de création musicale, le Conservatoire Pierre Barbizet - INSEAMM et Bi-pole.
We are delighted to announce that Nosbaum Reding participates to the BRAFA Art Fair!
Booth n° 127
DATES AND OPENING HOURS
Public opening days
from Sunday 28 January 2024
until Sunday 4 February 2024
11:00 - 19:00
except
Thursday 1 February 2024
11:00 - 22:00
Exclusive Saturday
Saturday 27 January 2024
11:00 - 19:00
Release 26th January 2024 from 19:00 at Etablissement d'en Face, Brussels
Gr_und: Artist run Space
Seestrasse 49
D-13347 Berlin
Vernissage le 25.11.2023 à 11:30, en présence de l'artiste
Photo: Booth Nosbaum Reding, Luxembourg Art Week, 2023
Photo credit: © Laurent Sturm
We are delighted to announce that Nosbaum Reding participates to the Luxembourg Art Week!
Opening Hours
Preview (by invitation)
9 November 2023, 19:00–22:00
Vernissage (by invitation)
10 November 2023, 18:00–21:00
Public hours
10 November 2023, 11:00–18:00
11 November 2023, 10:30–19:30
12 November 2023, 10:30–18:30
Location
Glacis Square (Fouerplaatz)
L-1628 Luxembourg
Luxembourg
Photo:
View of the exhibition "Stephan Balkenhol meets Old Masters - Window in Time" © VG Bild- Kunst, Bonn 2024. Photo: Museum Wiesbaden / Bernd Fickert
Image:
Sophie Ullric , Human, 2023, oil on canvas, 190 x 160 cm © Sophie Ullrich
Photo: © Antoine de Saint Phalle – Kultur | lx
Hisae Ikenaga
Industrial visceral
13.09. – 07.10.2023
Eröffnung | Opening :
Freitag | Friday, 15.09.2023 – von 18 Uhr bis 21 Uhr | 6pm until 9pm
“Meet the artist”:
Samstag | Saturday 16. 09.2023 – von 15 Uhr bis 18 Uhr | 3 pm until 6 pm
in Anwesenheit von Hisae Ikenaga und Galerist Alex Reding | in presence of Hisae Ikenaga and Alex Reding, gallery owner
In Fortsetzung ihrer langjährigen Zusammenarbeit mit Luxemburg zeigt die Saarländische Galerie die Ausstellung Industrial Visceral mit Arbeiten der in Luxemburg lebenden Künstlerin Hisae Ikenaga.
Die Ausstellung ist ein Projekt der luxemburgischen Galerie Nosbaum Reding. Erstmals werden zentrale Arbeiten von Hisae Ikenaga in Deutschland zu sehen sein.
Die Künstlerin verwendet Alltagsgegenstände als Rohmaterial für ihre Werke. In ihrer bildhauerischen Arbeit, in der sie unterschiedliche Techniken nutzt, befragt sie mit Ironie und Humor unsere bisweilen absurde Beziehung zu Objekten, ihrer Geschichte, Herstellung und Funktion.
Hisae Ikenaga, die in Luxemburg lebt und zwischen Spanien, Luxemburg und Frankreich arbeitet, hat ihre Werke in zahlreichen Einzel- und Gruppenausstellungen auf der ganzen Welt gezeigt und mehrere Preise erhalten.
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Continuing its long-standing collaboration with Luxembourg, the Saarländische Galerie is hosting the exhibition Industrial Visceral by the artist Hisae Ikenaga.
Organised by the Galerie Nosbaum Reding in Luxembourg, the exhibition explores a body of work by the artist, showcased for the first time in Germany. Hisae Ikenaga uses everyday objects as the raw material for her works. Her sculptural work intertwining several techniques, questions our comical – sometimes absurd - relationship with objects, their history, their production and their function.
Based in Luxembourg and working between Spain, Luxembourg and France, Hisae Ikenaga has shown her work in numerous solo and group exhibitions around the world and has received several awards.
Eine Ausstellung der Galerie Nosbaum Reding Luxemburg mit der Unterstützung von Kultur | lx – Arts Council Luxembourg, in Kooperation mit der Saarländischen Galerie in Berlin, dem Ministerium für Kultur und der Botschaft des Großherzogtums Luxemburg.
An exhibition by the Gallery Nosbaum Reding Luxembourg with the support of Kultur | lx – Arts Council Luxembourg, in cooperation with the Saarländische Galerie in Berlin, the Ministry of Culture of the Grand Duchy of Luxembourg & the Embassy of the Grand Duchy of Luxembourg.
SAARLÄNDISCHE GALERIE – EUROPÄISCHES KUNSTFORUM E. V.
CHARLOTTENSTR. 3, 10969 BERLIN
EINGANG ZWISCHEN | ENTRANCE BETWEEN
Charlotten- und Markgrafenstraße, U6 Kochstraße
Now in its fourth year, the Pommery Prize recognizes an outstanding presentation of large-scale artwork from the Platform section at The Armory Show. The jury for the prize included Frédéric de Goldschmidt, Collector; Gannit Ankori, Director and Chief Curator of the Rose Art Museum; and Mme. Vranken, co-owner and head of the marketing division of Vranken-Pommery Monopole.
The installation is comprised of a series of ladders holding life-size portrait busts sculpted from Iroko wood. The floor beneath these structures is covered by images of boxes used to ship bananas, an element that recurs across a selection of Toguo's installations. The busts function as stamps, with the recognizable calls to action of recent protest movements, from #MeToo to #BlackLivesMatter, carved into their bases. Oversized in comparison to a traditional stamp, these functional sculptures require significant effort to utilize, parodying administrative gestures.
Courtesy Galerie Lelong & Co. Paris & New York
Photo:
Installation view: BarthélémyToguo, Urban Requiem (2015) at The Armory Show, 2023. Photo by Jon Cancro / Courtesy Galerie Lelong & Co. Paris & New York.