Nosbaum Reding will be present at Drawing Now Paris 2026
Find us at Booth C8
Presented artists:
David Schmitz, Robert Wilson, Damien Deroubaix, Ronny Delrue, Nat Meade & Fatiha Zemmouri
Venue:
Carreau du Temple, 4 Rue Eugène Spuller, 75003 Paris
Dates & Public opening hours:
Thursday, 26 March: 11am - 8pm
Friday, 27 March: 11am - 8pm
Saturday, 28 March: 11am - 8pm
Sunday, 29 MArch: 11am - 7pm
For more information, contact: contact@nosbaumreding.com
https://www.drawingnowparis.com/en/
Barthélémy Toguo in Group Exhibition: Tirailleurs: Trials and Tribulations
Tirailleurs: Trials and Tribulations
From Cannon Fodder to Avant-Garde–The Forgotten Soldiers Who Freed Europe
Exhibition and Research Project
21 March–14 June, Opening: Fri., 20 March
On 15 August 2024, French President Emmanuel Macron invited the world to commemorate the 80th anniversary of the Allied landing in Provence that followed the Normandy invasion and was pivotal to liberating France and Europe from Nazi Germany. The ceremony highlighted an often-overlooked truth: the majority of the 250,000 troops in the so-called B Army were African soldiers who, according to Le Monde, ‘came from the colonies'. These young Tirailleurs played an active role in the liberation of France from Nazi Germany, while many others hailing from Africa, Asia, the Americas, Oceania, and beyond were integral to the reshaping of Europe's future and its institutions. Yet, their contributions have been systematically marginalized. While commemorative gestures, such as inviting African leaders to anniversary events, attempt to recognize their sacrifice, this history remains politically co-opted, under-researched, and unknown to many people, especially in Germany today.
In 2026, HKW seeks to address this gap with a wide-ranging programme that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.
The exhibition brings together works by more than thirty international artists across generations, including fourteen new commissions. It also features the presentation of archival materials, research from five different art spaces and collectives, as well as film screenings. Together, these contributions underscore the persistent relevance of the history of the Tirailleurs for artists, film-makers, and cultural practitioners.
With works by
Kader Attia, Yassine Balbzioui, Kathleen Bomani, Halida Boughriet, Tiffany Chung, Binta Diaw, Godfried Donkor, Juan-Pedro Fabra Guemberena, Abrie Fourie, Othon Friesz, Pélagie Gbaguidi, Nadia Kaabi-Linke, Daniel Lind-Ramos, Anguezomo Nzé Mba Bikoro, Mónica de Miranda, Oscar Ngu Atanga, Tuấn Andrew Nguyễn, Josèfa Ntjam, Mario Pfeifer, Slavs and Tatars, El Hadji Sy, Pascale Marthine Tayou, Dior Thiam, Barthélémy Toguo, Félix Vallotton, Francisco Vidal, Hana Yoo
Presenting films by
Rachid Bouchareb, Dalila Ennadre, Oumarou Ganda, Grégoire Georges-Picot, Idrissou Mora-Kpai, Kollo Daniel Sanou, Philip Scheffner, Ousmane Sembène & Thierno Faty Sow, Tony T. & Rebecca Goldstone, Futuru C.L. Tsai, Mathieu Vadepied
Research collaboration with
Alice Yard, Port of Spain
Ancrages, Marseille
Cinémathèque de Tanger, Tanger
Hide and Seek Audiovisual Art, Taipei
Raw Material Company. Center for Art, Knowledge and Society, Dakar
Opening Weekend Fri., 20–Sun., 22 March
Pour Ronny Delrue, le dessin n'est pas simplement un médium : c'est une forme de pensée en mouvement. Depuis des décennies, il le pratique comme on tiendrait un journal, accumulant des pages où se déposent des intuitions, des éclats de mémoire et des hypothèses de figures. Ses têtes, souvent réduites à un contour et parfois épaissies d'empâtements, ne sont ni des portraits ni des autoportraits ; elles habitent cet entre-deux où l'image devient le lieu d'une présence humaine générique — fragile, vacillante. Les séries se construisent par retouches, repentirs et effacements qui laissent apparaître les traces du processus ; la matière — graphite, fusain, peinture — agit comme un sismographe de l'attention, faisant affleurer l'émotion sans jamais l'illustrer.
Ronny Delrue est un artiste belge né en 1957 à Heestert, vivant et travaillant à Gand. Dessinateur, peintre et sculpteur, il consacre le dessin à une pratique quotidienne — laborieuse et introspective — qui explore la mémoire, l'oubli, l'apparition et la disparition de l'esprit.Son œuvre, très diversifiée (dessins, peintures, sculptures, installations), interroge l'humanité, le passage du temps et la fragilité de la conscience.
Pendant la résidence, une nouvelle série sera développée autour du thème du souvenir et de l'oubli. Les mémoires se superposent, des zones noires dominent l'image, des perforations révèlent la base. Cette prémisse ouvre une aventure picturale, où des mots gravés dans la pierre bleue deviennent des pierres de mémoire.
En résidence du 12.02 - 16.03.2026.
Artist Talk with Ronny Delrue, Danielle Igniti and Christian Mosar on Saturday 28 February at 4.30 pm with the the presentation of the exhibition catalog Ronny Delrue: Enigma, featuring essays by Katlijne Van der Stighelen and Frank-Thorsten Moll.
at Nosbaum Reding | Luxembourg
“Delrue's work focuses on faces that are not really faces. These are memories of faces or shadows of human expression. They are executed in various media, of which pencil and watercolour are the most important. The palette is limited and plays out on the border between brown, blue and grey, supplemented by the inevitable red to emphasize details, introduce a scar, or emit a pool of blood. Six drawings in two rows. In this case, six heads turned three quarters to the left or to the right. The silhouettes can be discerned, but their gender is unclear. The face remains blank, or one or two eyes are suggested. The gaze is trained upon infinity or turned uneasily towards the viewer. The individual is reduced to a non-identity. This is Ronny Delrue's hazy image of humankind, one that expresses his quest for the essence of existence.”
From the essay : Coming from the inside, facing the outside. Delrue's journey of uncontrolled soul-searching and expression, Em. Prof. Dr. Katlijne Van der Stighelen, 2024
The interview with Nina Tomàs has just been published in ELLE Luxembourg, highlighting her exhibition Arborescences at Nosbaum Reding Projects.
In the article, the artist discusses a practice developed over more than a decade across painting, textile, and installation, where the body appears as a recurring yet often fragmented motif. The exhibition reflects her ongoing research into perception, scale, and transformation, with works that integrate space and material in a sensitive and immersive way.
Read the full article: https://www.elle.lu/fr/9881-nina-tomas-expose-a-la-galerie-nosbaum-reding-lexperience-du-corps.html
Opening on 04 February 2026, Painting Rules marks the German artist's first institutional solo exhibition in the Philippines. Presented in collaboration with Taipei- and New York-based gallery Nunu Fine Art, the exhibition invites viewers to encounter Peter Zimmermann's luminous reimaginings of color and form across expansive, radiant surfaces.
A solo exhibition by Liliane Vertessen
DISKUS
Diepestraat 46 9300 AALST
25.01.2026 - 01.02.2026
Brussels Expo
Brussels, Belgium
Presenting Works by:
Tony Cragg
Peter Zimmermann
Lilian Vertessen
Tawan Wattuya
Stephan Balkenhol
Max Coulon
Stefaan De Croock
Ronny Delrue
Damien Deroubaix
Tina Gillen
Melanie Loreiro
Heinz Mack
Manuel Ocampo
David Schmitz
Barthélémy Toguo
Robert Wilson
Fatiha Zemmouri
Find us in Booth 141
Ronny Delrue is one of the most renowned artists in Belgian contemporary art. In the past five years, he has captivated audiences with major solo exhibitions at S.M.A.K. Ghent (2018-2019) and the CENTRALE for Contemporary Art Brussels (2019). Now, the exhibition “Every Stroke a Loud Space” presents Delrue consistently as a draughtsman—for the first time, not as a painter.
A unique exhibition design puts drawing at the center and invites visitors to rediscover the political dimension of drawing: not as a silent act of introspection, but as a loud and visible affirmation of humanity. Every stroke becomes a space for resistance, empathy, and social reflection.
Nosbaum Reding will be present at the 2025 edition of Luxembourg Art Week
You will find us at the Booth B05
Presented artists:
Stephan Balkenhol, Su-Mei Tse, Stefaan De Croock, Fatiha Zemmouri, Tony Cragg, Tina Gillen, Dominique Dureau, Barthélémy Toguo, Thomas Arnolds,Peter Zimmermann, William Grob, Assan Smati, Eric Mangen, Ronny Delrue, Sophie Ullrich
Venue
Glacis Square, 1148 Limpertsberg, Luxembourg
Dates and opening hours
Thursday 20 November 2025
VIP&PRO, 12:00–17:00 (by invitation)
Preview, 17:00–22:00 (by invitation)
Friday 21 November 2025
Public hours, 12:00–17:00
Nocturne, 17:00–21:00
Saturday 22 November 2025
Public hours, 10:30–19:00
Sunday 23 November 2025
Public hours, 10:30–18:00
Lisson Gallery is pleased to present a solo exhibition of new work by Tony Cragg, centred on the latest in his series of Incident sculptures, alongside recent pieces from related, ongoing bodies of work. The show revolves around numerous upright forms that resemble standing figures or columnar pillars, but which are abstracted and complicated through Cragg's rigorous process of hand carving – whether through the act of building up and constructing or through careful erosion and hollowing out. The porosity and openness of these new Incident works collapse any boundaries between internal and external structure, between solid and air, creating sculptural moments that are at once transitory and eternal, organic and deliberate. A further dimension to these animated and gestural configurations – which seem to dance and commune with one another as though being drawn in space – is their hard-edged materiality, being variously manufactured from patinated bronze, reflective stainless steel or the velveteen surface of weathered Corten steel.
For over 50 years, Cragg has fostered a practice combining his interests in the natural and the manmade worlds that has nevertheless remained resolutely a product of his own invention, experimentation and imagination. The work entitled Path, a new 2025 iteration of his earlier Hedge series, only fleetingly recalls the twists and twines of the hedgerows he investigated as a child, before exploding out and growing into interweaving planes and sinuous lines. Cragg's newest work in the REM series, composed of stacked stainless-steel forms inspired by ancient headrests carved from tree branches, invoke the sense of dream and play in highly polished, repeating patterns.
Across his oeuvre, Cragg's focus remains on the expressive possibilities of materials rather on than any direct representation, harnessing instead the possibilities of movement, mass and molecular arrangement that are inherent in all matter. The recent Stand works in this show can initially be read anthropomorphically – as torso-like volumes with heads or limbs, attuned to the human, not only in scale and material presence but also in the way they invite a physical, almost empathic response from viewers – but soon transcend memory and dissolve perception, developing instead into original forms with fresh associations, both bodily and other worldly.
This dialogue between the figurative and volumetric qualities in the Stand series continues outside, where monumental outdoor versions are installed side-by-side in the external courtyard. At the heart of the exhibition, the internal courtyard contains Contradiction, a major green outdoor work in bronze that rotates between a whirling, centrifugal force and a towering verticality – seemingly defying gravity and pulling skywards.
Alongside an interconnectedness and shared complexity across all of Cragg's output, these works together present an artist who is not only continuing to evolve and enrich the range of thoughts, materials and forms involved in his creations, but also someone constantly pushing at the limits of what is possible to achieve in sculpture.
This exhibition follows major solo shows this year at leading European institutions in Dubrovnik, Dessau, Salzburg and Rome, as well as his last major display in the UK at Castle Howard, York (2024). It runs concurrently with a presentation at the artist's Sculpture Park Waldfrieden in Wuppertal (2025–26).
FLOATING ROADS refers to the various paths taken by artists. Intangible roads that briefly land in the monastery during the exhibition.
Selected artists:
GABRIELE BEVERIDGE, TINA GILLEN, ADELHEID DE WITTE, CINDY WRIGHT, NATHALIE VANHEULE, POLLY POLLET, STEPHANIE LEBLON, MARIE CLOQUET, ALEXANDRA RUYTTEN, ANNEKE EUSSEN, NADIA NAVEAU, KRYSTEL GEERTS, JOKE RAES, PEI-HSUANG WANG, SHARON VAN OVERMEIREN, ISABEL FREDEUS, EDITH DEKEYNDT
The exhibition is an initiative curated by Philippe De Veyt, Nathalie Vanheule and An Schotte.
Image:
Tina Gillen
Zenne II, 2023
Acrylic on canvas, 130 x 180 cm
Photo: Audrey Jonchères | Nosbaum Reding
Biennale d'Art Sint-Denjis-City
Du 14.08 jusqu'au 21.09.2025
Ouvert du jeudi au dimanche de 10:30 à 18:00
Adresse:
HUISJE SPIEREWEG
Sint-Denijsplaats 11
8554 Zwevegem, Belgium
Photo: Installation Casa del tempo, © Courtesy of the artist
10h30 : Vernissage de l'exposition Le Feu au Lac de Max Coulon à la Halle Verrière à Meisenthal,
en présence de l'artiste
Adresse :
Site Verrier de Meisenthal
Halle Verrière
F-57960 Meisenthal
Crédit photo:
Poush X Lafaurie – Crédit photo : Luc Braquet
Samedi 5 juillet, de 16h à 19h :
Portes ouvertes à l'Atelier Meisenthal : en présence de Sophie Ullrich, artiste en résidence
Dimanche 6 juillet à 12h30:
Atelier Meisenthal: Visite en compagnie de Sophie Ullrich, artiste en résidence
Adresse :
Atelier Meisenthal
4, rue du Général Frère
F-57960 Meisenthal
Photo: Courtesy of the artist