Barthélémy Toguo in Exihibition Africa Legacy, initiated by The city of Brussels and curated by Didier Claes.
"Africa Legacy" est une exposition d'une centaine d'œuvres classiques et contemporaines issues de collections privées et institutionnelles.
ROBERT WILSON
WORKS ON PAPER – PRIVATE SALE
On the occasion the representation of PESSOA – Since I've Been Me by Robert Wilson at Théâtre de la Ville – Sarah Bernhardt, Nosbaum Reding, in collaboration with RW Work, Ltd., is pleased to present a selection of drawings from one of Robert Wilson's last theater works.
Location
THÉÂTRE DE LA VILLE — SARAH BERNHARDT, PARIS
2, Place du Châtelet, 75004 Paris
Dates & Opening Hours
Saturday 13/06/2026
17:00-22:00
Sunday 14/06/2026
13:00-17:00
Monday 15/06/2026
17:00-22:00
Tuesday 17/06/2026
17:00-22:00
Thursday 18/06/2026
17:00-22:00
Friday 19/06/2026
17:00-22:00
Saturday 20/06/2026
13:00-22:00
Sunday 21/06/2026
13:00-17:00
For enquiries and preview catalogue:
sales@nosbaumreding.com
For theatre tickets: Théâtre de la Ville Paris
https://www.theatredelaville-paris.com/fr
Luxembourg Architechture Award 2026 Nominee
This June, the Luca is organising the Luxembourg Architecture Award, inviting the public to have their say from 1 to 21 June through a public vote on the preselected projects.
La cité transparente:
The series features composite images inspired by nine lithographs that Jean-Baptiste Fresez and Jean-Nicolas Bernard created in 1828–1829 and titled Vues de Luxembourg. These iconic panoramas of the city of Luxembourg have left their mark on the nation's collective memory, as they are omnipresent in historical representations of the capital. By mapping contemporary photographs onto historical lithographs with the same view, Yann Tonnar explores different stages of history. The project invites us to consider the metamorphosis of the city between memory and modernity and offers an unprecedented perspective on the urban, historical, civilisational, and identity issues that shape Luxembourg's past and present.
La cité transparente was originally commissioned by Musée Dräi Eechelen, where it is permanently exhibited.
Vote for this project here:
Dozens of centuries-old portraits of the d'Ursel family are side by side with the work of contemporary artists. From stately dukes to dreamy children, from modest servants to distinguished relatives, from melancholy figures to colorful heads: each portrait bears the traces of the time in which it was created and of whom was depicted. Face to face you discover the special story behind every face.
The exhibition starts with the oldest (1626) and the latest (2026) family portrait. Spread over the three floors of the castle, you will discover portraits of the d'Ursel family from the intervening four centuries. Also some lost, but recently returned portraits can be seen for the first time.
TALKING HEADS combines and confronts the centuries-old family portraits by Justus van Egmont, Charles-Pierre Verhulst, Philip de László, Joseph Vivien, Alexandre Delatour, Charles Le Clercq, Bernhard Seibert, Alexandre Thomas, Antonine de Mun, 6th Duchess d'Ursel, many lesser-known and some anonymous masters with work by more than fifty contemporary artists:
Mona Ardeleanu (DE), Omar Ba (SN), Stephan Balkenhol (DE), Raafat Ballan (SY), Lysandre Begijn (NL), Vilson Biçaku (AL), Michaël Borremans (BE), Daan Couzijn (E), Stefaan De Croock (BE), Mattias De Leeuw (BE), Iris Devriendt (BE), Alioune Diagne (BEL),
10 ans de La Boverie. Les coulisses d'une Collection
Presenting Works by Ronny Delrue
Dates
29.05.2026 – 23.08.2026
Opening Hours
Tuesday-Sunday 10AM to 6PM
Closed on Mondays
Address
3, Parc de La Boverie
4020 Liège
For more information & tickets:
https://www.laboverie.com/expos-evenements/les-prochaines-expos/exposition-anniversaire
With Damien Deroubaix (main artist), Xavier Antin, Ignasi Aballi, Maarten Vanden Eynde, Vivien Roubaud, Tom Callemin, Nicolas Lamas, Louise Sartor, Caroline Van den Eynden
Curated by Tom Jonckers
24/04/26 – 26/04/26
Open to public by appointment
Presenting works by: Peter Zimmermann, Damien Deroubaix, Ronny Delrue, Nat Meade, Barthélémy Toguo, Max Coulon, David Schmitz, Eric Mangen, Tina Gillen, Sophie Ullrich
23.04.2026 - 26.04.2026
Preview: 23 April 2026
Public Days: 24 - 26 April 2026
Brussels Expo
Brussels, Blegium
Join us at Art Düsseldorf 2026
Presenting works by:
Peter Zimmermann, Stephan Balkenhol, Dominique Dureau, JKB Fletcher, Max Coulon, Melanie Loureiro, Thomas Arnolds, Tina Gillen, Ronny Delrue, Atelier Van Lieshout, David Schmitz, Hisaek Ikenaga, Barthélémy Toguo
Booth C-01
16.04.2026 - 19.04.2026
Preview: 16 April 2026
Public Days: 17 - 19 April 2026
Areal Böhler
Hansaallee 321
40549 Düsseldorf
For more information & Tickets free to contact: contact@nosabumreding.com
Hisae Ikenaga – Anatomies of Use
at Kiosk Ghent
For her first solo exhibition in Belgium, Hisae Ikenaga presents a selection of existing and new works. The title Anatomies of Use refers to the subtle displacements that structure her practice: shifts of function, status, and meaning. Industrial and domestic objects are appropriated and reconfigured, their use suspended, their familiarity unsettled. Forms appear stabilized, as if halted after transformation, revealing tensions between use, form, and memory.
Ceramic works extend this reflection through the figure of the cylinder, borrowed from industrial lamination tools and transposed into pottery. The motif becomes form, matrix, and trace of gesture. In a new video in collaboration with film director Paula Onet, Soft Dissection, artisanal and medical gestures intersect, opening an ambiguous space between workshop and laboratory. Through these displacements — from tool to object, from gesture to image — Ikenaga constructs an archaeology of the present, where each form becomes trace, sculpture, and question.
Practical information:
Opening: 04.04.2026, 3 p.m. - 6 p.m
Exhibition open daily from 12 pm to 6 pm until 07.06.2026
Free entrance
Louis Pasteurlaan 2, 9000 Ghent, Belgium
Nosbaum Reding will be present at Drawing Now Paris 2026
Find us at Booth C8
Presented artists:
David Schmitz, Robert Wilson, Damien Deroubaix, Ronny Delrue, Nat Meade & Fatiha Zemmouri
Venue:
Carreau du Temple, 4 Rue Eugène Spuller, 75003 Paris
Dates & Public opening hours:
Thursday, 26 March: 11am - 8pm
Friday, 27 March: 11am - 8pm
Saturday, 28 March: 11am - 8pm
Sunday, 29 MArch: 11am - 7pm
For more information, contact: contact@nosbaumreding.com
https://www.drawingnowparis.com/en/
Barthélémy Toguo in Group Exhibition: Tirailleurs: Trials and Tribulations
Tirailleurs: Trials and Tribulations
From Cannon Fodder to Avant-Garde–The Forgotten Soldiers Who Freed Europe
Exhibition and Research Project
21 March–14 June, Opening: Fri., 20 March
On 15 August 2024, French President Emmanuel Macron invited the world to commemorate the 80th anniversary of the Allied landing in Provence that followed the Normandy invasion and was pivotal to liberating France and Europe from Nazi Germany. The ceremony highlighted an often-overlooked truth: the majority of the 250,000 troops in the so-called B Army were African soldiers who, according to Le Monde, ‘came from the colonies'. These young Tirailleurs played an active role in the liberation of France from Nazi Germany, while many others hailing from Africa, Asia, the Americas, Oceania, and beyond were integral to the reshaping of Europe's future and its institutions. Yet, their contributions have been systematically marginalized. While commemorative gestures, such as inviting African leaders to anniversary events, attempt to recognize their sacrifice, this history remains politically co-opted, under-researched, and unknown to many people, especially in Germany today.
In 2026, HKW seeks to address this gap with a wide-ranging programme that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.
The exhibition brings together works by more than thirty international artists across generations, including fourteen new commissions. It also features the presentation of archival materials, research from five different art spaces and collectives, as well as film screenings. Together, these contributions underscore the persistent relevance of the history of the Tirailleurs for artists, film-makers, and cultural practitioners.
With works by
Kader Attia, Yassine Balbzioui, Kathleen Bomani, Halida Boughriet, Tiffany Chung, Binta Diaw, Godfried Donkor, Juan-Pedro Fabra Guemberena, Abrie Fourie, Othon Friesz, Pélagie Gbaguidi, Nadia Kaabi-Linke, Daniel Lind-Ramos, Anguezomo Nzé Mba Bikoro, Mónica de Miranda, Oscar Ngu Atanga, Tuấn Andrew Nguyễn, Josèfa Ntjam, Mario Pfeifer, Slavs and Tatars, El Hadji Sy, Pascale Marthine Tayou, Dior Thiam, Barthélémy Toguo, Félix Vallotton, Francisco Vidal, Hana Yoo
Presenting films by
Rachid Bouchareb, Dalila Ennadre, Oumarou Ganda, Grégoire Georges-Picot, Idrissou Mora-Kpai, Kollo Daniel Sanou, Philip Scheffner, Ousmane Sembène & Thierno Faty Sow, Tony T. & Rebecca Goldstone, Futuru C.L. Tsai, Mathieu Vadepied
Research collaboration with
Alice Yard, Port of Spain
Ancrages, Marseille
Cinémathèque de Tanger, Tanger
Hide and Seek Audiovisual Art, Taipei
Raw Material Company. Center for Art, Knowledge and Society, Dakar
Opening Weekend Fri., 20–Sun., 22 March
Pour Ronny Delrue, le dessin n'est pas simplement un médium : c'est une forme de pensée en mouvement. Depuis des décennies, il le pratique comme on tiendrait un journal, accumulant des pages où se déposent des intuitions, des éclats de mémoire et des hypothèses de figures. Ses têtes, souvent réduites à un contour et parfois épaissies d'empâtements, ne sont ni des portraits ni des autoportraits ; elles habitent cet entre-deux où l'image devient le lieu d'une présence humaine générique — fragile, vacillante. Les séries se construisent par retouches, repentirs et effacements qui laissent apparaître les traces du processus ; la matière — graphite, fusain, peinture — agit comme un sismographe de l'attention, faisant affleurer l'émotion sans jamais l'illustrer.
Ronny Delrue est un artiste belge né en 1957 à Heestert, vivant et travaillant à Gand. Dessinateur, peintre et sculpteur, il consacre le dessin à une pratique quotidienne — laborieuse et introspective — qui explore la mémoire, l'oubli, l'apparition et la disparition de l'esprit.Son œuvre, très diversifiée (dessins, peintures, sculptures, installations), interroge l'humanité, le passage du temps et la fragilité de la conscience.
Pendant la résidence, une nouvelle série sera développée autour du thème du souvenir et de l'oubli. Les mémoires se superposent, des zones noires dominent l'image, des perforations révèlent la base. Cette prémisse ouvre une aventure picturale, où des mots gravés dans la pierre bleue deviennent des pierres de mémoire.
En résidence du 12.02 - 16.03.2026.
Artist Talk with Ronny Delrue, Danielle Igniti and Christian Mosar on Saturday 28 February at 4.30 pm with the the presentation of the exhibition catalog Ronny Delrue: Enigma, featuring essays by Katlijne Van der Stighelen and Frank-Thorsten Moll.
at Nosbaum Reding | Luxembourg
“Delrue's work focuses on faces that are not really faces. These are memories of faces or shadows of human expression. They are executed in various media, of which pencil and watercolour are the most important. The palette is limited and plays out on the border between brown, blue and grey, supplemented by the inevitable red to emphasize details, introduce a scar, or emit a pool of blood. Six drawings in two rows. In this case, six heads turned three quarters to the left or to the right. The silhouettes can be discerned, but their gender is unclear. The face remains blank, or one or two eyes are suggested. The gaze is trained upon infinity or turned uneasily towards the viewer. The individual is reduced to a non-identity. This is Ronny Delrue's hazy image of humankind, one that expresses his quest for the essence of existence.”
From the essay : Coming from the inside, facing the outside. Delrue's journey of uncontrolled soul-searching and expression, Em. Prof. Dr. Katlijne Van der Stighelen, 2024
The interview with Nina Tomàs has just been published in ELLE Luxembourg, highlighting her exhibition Arborescences at Nosbaum Reding Projects.
In the article, the artist discusses a practice developed over more than a decade across painting, textile, and installation, where the body appears as a recurring yet often fragmented motif. The exhibition reflects her ongoing research into perception, scale, and transformation, with works that integrate space and material in a sensitive and immersive way.
Read the full article: https://www.elle.lu/fr/9881-nina-tomas-expose-a-la-galerie-nosbaum-reding-lexperience-du-corps.html